A "The Making of..." documentary about Alfred Hitchcock's 'The Lodger (1927)'.

A successful "house tuner" in New York City, who calibrates the sound in people's homes in order to adjust their moods, meets a client with a problem he can't solve.

This short documentary takes a look at the making of Twentieth Century Fox's 1944 film "The Lodger".

The federal agent Joe Dee Foster is currently investigating a serial killer, helped by doctor Animal who is isolated in a maximum security jail.

A famous photographer with the ability to mind read returns after leaving due to his lover's suicide as she became aware of his ability. He becomes a guardian for a young girl, in midst of a serial killer's hunt.

A story about life, death, vulnerability and grief.

Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?

Centers on the Klein family, who live in a remote house in the mountains. Considered the black sheep, youngest son Jean is thrown out. Angry and threatening, he arrives at Nils and Ida's chalet for a hunting expedition. The next day, he learns how to kill. The following night, his mother's car is set on fire and he is blamed. He disappears into the mountains with a gun. On the third day, it pours down with rain and, in the evening, a storm brews. Shut up in their house, the Klein family await with dread the return of Jean, who will challenge them, weapon in hand.

The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

In 1430, Joan of Arc, the prisoner of a powerful lord of the north of France is sold to the English. As a captive awaiting her death, she is approached by different men for whom she is believed to be the embodiment of the infinite.